Why support our music organization?

—A message from Raha Mirzadegan, founder and director

Though the life of an artist may seem glamorous from afar, many of us are driven to find supplemental work in order to survive in this highly competitive world. When we take on these part-time, or sometimes even full-time jobs as a way to pay our bills, we cut into the time that we would otherwise spend on our creative endeavors, be it practicing, programming, or attending and supporting other artists’ performances. We’re always looking for professional opportunities and promoting ourselves in the hopes that we’ll be on the roster for the next gig. In other words, our lives become marketing campaigns, and we’re perpetually on high alert because the next job might be right around the corner. Whether you are just beginning, or you are a seasoned pro, you will always be searching for that next job.

“Study shows the proportion of musicians, writers, and artists with working-class origins has shrunk by half since the 1970s.” (The Guardian, December 2022)

Far from secure or steady, our path is not for the faint of heart. In truth, my colleagues and I often question whether we will be able to continue to share our gifts, while we navigate financial insecurity. These thoughts lead us to reflect on the very real possibility that it may be time to put the dream aside and pursue a more sustainable profession. I personally know multiple world-class musicians who cut back significantly on their performance schedules, in order to maintain full-time jobs. Although this was the best choice for these individuals—and I do not judge them for making the brave decision to change course—I do wonder whether there is a way to avoid this.

Historically, music has always been sponsored—by the church, private donors, or royalty.

Though we no longer enjoy the regal splendor of courts like the famed Esterházy family with their residential musicians, we can reimagine what this might look like in the present by supporting resident artists who are loyal to a specific community—in this case, our community in Stone Ridge.

Please help our musicians continue to share their gifts by contributing today.

Why an Italian concertmaster if this is a New York-based ensemble?

You are not alone if you have been wondering why Hudson Baroque has a London-based, Italian violinist as its concertmaster. Apart from Simone’s unrivaled talent, and impressive accolades, the answer is quite simple:

We believe it is a small world, and that there is absolutely no reason why internationally acclaimed artists should be limited to performing in major cities.

In November of 2024, Simone visited Suriname, a small country on the north-east coast of South America, as a violinist with Holland Baroque. The orchestra spent a week there, doing educational out-reach and making music alongside the students at The School for Young Talent in Paramaribo. The initiative was inspiring and uplifting for everyone involved.

These types of intercontinental partnerships and cultural exchanges are what we at Hudson Baroque strive to cultivate.

By inviting artists from New York City, and beyond, to visit the Hudson Valley, we are participating in a fellowship that goes beyond our immediate circle—and what better way to connect than through music and camaraderie.

What is Silentwoods Collective?

A passage from their website:

Silentwoods Collective is a 501(c)(3) nonprofit whose mission is to bring live music experiences to communities to inspire creativity, hope and human connection.

We believe music is a force for good that belongs to everyone everywhere. It has the power to change lives, inspire hope, and connect us more deeply to our communities. Silentwoods Collective exists to create opportunities for professional musicians to share the power of music in places it is lacking or needed most. From rural to urban, whether in senior centers, cafes, hospitals, or schools, our programs work to bring exceptional performances into everyday life, to bring people together and build community and hope through music.

Why can't we donate directly to Hudson Baroque?

Hudson Baroque is a newly formed organization which does not have 501(c)(3) non-profit status. As a result, any direct contributions would be considered gifts and would not be tax-exempt.

Our friends at Silentwoods Collective have 501(c)(3) non-profit status and have partnered with us to make our programs possible. As our fiscal sponsor, they will graciously accept donations on our behalf. Please make sure the memo on your check or online contribution reads: Hudson Baroque!

Donations can be mailed by check to the non-profit organization:

Silentwoods Collective INC

20 Summer Street

Antrim, New Hampshire 03440

—with the memo: Hudson Baroque

Or through the website: www.silentwoodscollective.com

—with the memo: Hudson Baroque

Will Hudson Baroque host other ensembles?

We are hoping to extend invitations not only to the musicians on our roster, but to like-minded ensembles that share our vision. Members and partners of Silentwoods Collective believe in “making inspiring live music experiences commonplace.”

We look forward to creating memorable experiences together.

How much do tickets cost?

In an effort to make our concerts accessible to all, we will offer sliding-scale, donation-based ticketing.

Can we follow you online?

Yes! Instagram: @hudsonbaroque

How can we stay in touch?

You can contact us by email: hudsonbaroque@gmail.com